Ordinary sample‑editing functions are included, but in a perfunctory sort of a way (there are no precise timing indicators in the display, for one thing), and thus it should not be used as anyone's sole audio‑editing program - you'll still need BIAS' Peak, SoundEdit 16, or the venerable Sound Designer II. Though their name may seem unfamiliar, you may have seen or used the products of their labours, as Emagic have licensed Prosoniq's audio processing algorithms for use in Logic Audio (the pitch‑shifting algorithm found in Logic's Time Machine II, for example, is a Prosoniq development, as is the on‑board EQ, flanger, and reverb), and the company also produces third‑party plug‑ins for Cubase VST.Īccording to Prosoniq, SonicWORX employs 'neural net' technology to analyse audio signals in unconventional ways, and then lets you apply extremely off‑the‑wall processing to them. SonicWORX Artist is fascinating audio editing software for the Macintosh from a German developer called Prosoniq. But can the software actually be put to good use? PAUL D LEHRMAN investigates. Prosoniq, the German software company behind many of the DSP processing algorithms used in MIDI + Audio sequencers, have now made the powerful fruits of their expertise available in stand‑alone form. The currently active processing plug‑ins can be seen on the left of this window. SonicWORX in action: two waveform windows (the top two) are open here, with one processing window active in the foreground ('Untitled 1').
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